The book enjoyed critical success and was adapted into a Broadway musical in that went on to win five Tony Awards, including Best Musical. Bechdel created the drawings for the text by setting up a "reference shot" for each and every panel that was not directly drawn from a historical document or map.
What this allows for is the possibility that a pathologized melancholic identity, born out of disallowed sexual desire, can change. But we simultaneously see Bechdel suggesting a particular form of masculinity, one that she herself desires to embody, on her father.
She incorporates these refused identifications into her psyche in ways that then manifest themselves in terms of her OCD and her journal symbols—the fetishistic behaviors that Freud pointed to as the outcome of a melancholic identity.
The refused identification affects their gendered behaviors as Butler argues it does for all of ustheir anxieties, and their very identities, which Bechdel visually witnesses and re-presents throughout the text as a process of working through the changing political dynamics of American culture.
This impacts the manner in which he expects the young Bechdel to look and act in terms of gendered behaviors.
However, in working through his death and witnessing the events of her childhood in a way that allows her to embody and represent both the subjectivity of her father and herself, Bechdel does not have to carry that trauma forward with her in terms of a melancholic personality or an endless mourning.
This is the basic Freudian definition of melancholia; however, recent theorists have taken the complex notion of how melancholia forms the subject into more politically dynamic dimensions. As readers follow the photographic touchstones throughout, the autobiographical nature of the story reasserts itself and functions as a reminder that what is at stake is real lives, real subjects, and the potential for real violence.
However, Bechdel herself is an example of how melancholia as a pathologized basis for identity is changing—she moves away from the OCD-ridden journal and its symbols and is openly "out" in ways that her father never was. In a society such as the one in which Bruce was raised, the public proscription against homosexual identity is so strong that the melancholic effects do reach suicidal proportions for him.
These images, detailed below, function to remind readers that Fun Home is not merely a powerful graphic novel, but also a decidedly autobiographical one. Before his death, Bruce confesses parts of his sexual history to his daughter, which includes homosexual experiences from his time in the military as well as with his high school students.
Suicide is the ultimate negative consequence for a disallowed subjectivity, as Butler writes, "Insofar as the grief remains unspeakable, the rage over the loss can redouble by virtue of remaining unavowed.
One might wonder why Bechdel and her family automatically assume suicide, as his death could have been an accident. The prohibition on her identity has caused her subjectivity to be elided, and therefore she begins to question her ability to have any sort of concrete knowledge about her own experience.
Readers see this happening: Life Narrative and Contemporary Comics. She began each page by creating a framework in Adobe Illustratoron which she placed the text and drew rough figures. Clearly, while pathologization is one possible and accurate reading, it negates the significant political possibilities that theories of melancholia have gained in the last fifteen years.
Could it have been planned far in advance, to coincide with his love of F.
Visitors often got lost upstairs. Both the author and Bruce lean over a copy of GQ; she notes that while their desires are different his for "velvet and pearls" along with the young man himself, her for "muscles and tweed"they can both follow through on this displacement of gender roles within the household.
Their relationship is close but "not close enough", as Bechdel writes, and their interactions are often painfully poignant and carefully linked. She had saved all of her notebooks from childhood and has gone back and re-drawn and re-traced her handwriting and daily thoughts Bechdel "Interview"as well as her anxieties and difficulties with obsessive-compulsive disorder OCD that she experienced at this time.
She begins to see him as a figure that was always already lost: Mourning, here, is simply defined as the natural process that a subject goes through upon the loss of another subject, object, or ideal. Here, her father is visually absent, but implicitly present as the photographer.
The notion of these photos as compelling, yet ambiguous focal points throughout the text deserves a further unpacking, however. Jul 11, Larry H rated it really liked it Family dysfunction, bow down to the Bechdel family.
As the text becomes a literal, bodily, "working through" of her childhood, readers get a glimpse of the representations of her subjectivity, as well as the process of mourning in a way that verbal narrative or self portrait alone would not have allowed for.
Stephen Goldfinch, another supporter of the cuts, said, "This book trampled on freedom of conservatives. This comes to a head in one particular scene in a diner when Bechdel is a very young girl. This circling of the lawnmower is also a foreshadowing of the rest of the text, as Bechdel creates a non-linear, recursive narrative.
The narrative of Fun Home is non-linear and recursive. Sexual shame is in itself a kind of death" Were they having an affair, or was Bruce merely sneaking a photo?Fun Home: A Family Tragicomic is a graphic memoir by the American cartoonist Alison Bechdel, author of the comic strip Dykes to Watch Out For.
It chronicles the author's childhood and youth in rural Pennsylvania, United States, focusing on her complex relationship with her father. Mourning and Melancholia in Alison Bechdel's Fun Home: A Family Tragicomic. in this particular case Alison Bechdel in her graphic memoir Fun Home: A Family Tragicomic.
Within this To further understand how subjectivity is developed in Bechdel's text this essay will illustrate the importance of mourning and melancholia in. "Fun Home: A Family Tragicomic" Analysis Essay Words | 9 Pages Alison Bechdel's graphic memoir, Fun Home: A Family Tragicomic, documents the author's discovery of her own and her father's homosexuality.
Alison Bechdel's graphic memoir, Fun Home: A Family Tragicomic, documents the author's discovery of her own and her father's homosexuality. The book touches upon many themes, including, but not limited to, the following: sexual orientation, family relationships, and suicide.
The title's "fun home" refers to the family funeral parlour where her father worked and is an appropriate setting for Bechdel's investigation of loss and grief. Below is an essay on "Fun Home: A Family Tragicomic" from Anti Essays, your source for research papers, essays, and term paper examples.
From the story “Fun Home: a family tragicomic” by Alison Bechdel, we discover Alison and her father are both homosexuals which in turn leads to her father having a very difficult life/5(1).Download